First, Anita Blake: Vampire Hunter (or AB:VH) then I'll get to Lestat, Louis, and the rest.
All of these reviews are from Amazon - because I'm really lazy. In case you haven't bought the books and you'd like to, Anne Rice's books are sold for very, very cheap at Amazon, if you look for used or 'like new' copies.
BTW: What I should add on to every book review is that AB:VH is a book series to be read in order! Scroll to the bottom of the page and you'll find all of the book put up in order. Click on the cover of any book and you can buy it from Amazon. I even have books down there that I havren't yet summarized on this page.
Laurell K. Hamilton
Guilty Pleasures
Anita Blake may be small and young, but vampires call her the Executioner. Anita is a necromancer and vampire hunter in a time when vampires are protected by law--as long as they don't get too nasty. Now someone's killing innocent vampires and Anita agrees--with a bit of vampiric arm-twisting--to help figure out who and why.
Trust is a luxury Anita can't afford when her allies aren't human. The city's most powerful vampire, Nikolaos, is 1,000 years old and looks like a 10-year-old girl. The second most powerful vampire, Jean-Claude, is interested in more than just Anita's professional talents, but the feisty necromancer isn't playing along--yet. This popular series has a wild energy and humor, and some very appealing characters--both dead and alive.
The Laughing Corpse
Harold Gaynor offers Anita Blake a million dollars to raise a 300-year-old zombie. Knowing it means a human sacrifice will be necessary, Anita turns him down. But when dead bodies start turning up, she realizes that someone else has raised Harold's zombie--and that the zombie is a killer. Anita pits her power against the zombie and the voodoo priestess who controls it. Notice to Hollywood: forget Buffy the Vampire Slayer; Anita Blake is the real thing.
Circus of the Damned
The third novel of Hamilton's Anita Blake series has the petite necromancer fighting a giant cobra and a rogue vampire, Alejandro, who wants her for his human servant. Anita is still resisting the advances of Jean-Claude, St. Louis's master vampire, but she does need him on her side, if not in her bed. Anita's reluctant involvement in the odd goings-on at the supernatural Circus of the Damned introduces her to Richard, the werewolf of her dreams, and Larry, her powerful but nervous partner in zombie-raising.
Mystery fans will love the tightly plotted, Paretsky-esque action, and horror fans will love just about everything in this unusual series.
The Lunatic Cafe
The zombie-raising business gets slow in December, so Anita Blake is starting to see some oddball cases. She's got a neatly typed list of eight missing lycanthropes given to her by Marcus, the leader of the local werewolf pack, who wants her to find them. The trouble is, Anita's occasionally furry boyfriend Richard is locked in a power struggle with Marcus. Jean-Claude, master vampire of the city and Anita's other love interest, is getting jealous as well. To top it off, Anita has to solve some horrific murders and keep her bounty-hunting friend Edward from killing Richard and Jean-Claude. Hamilton alternates between funny and fearsome in this larky series about a monster hunter with a few dark secrets.
Bloody Bones
When Anita Blake's boss at Animators, Inc., informs her that she's expected to raise 300-year-old zombies from a field of jumbled bones just to settle a land dispute, she's understandably annoyed. But as soon as she arrives in Branson, Missouri, to do the deed, the job gets more interesting. A psychotic sword-wielding vampire starts committing multiple murders in the area, and Anita must call on Jean-Claude, her powerful fanged suitor, for help. As always, Anita prevails over the undead, keeping Jean-Claude at arm's length, clearing the cemetery land of an ancient enchantment, and nailing the vampiric killer in one fell swoop.
The Killing Dance
Anita Blake, vampire hunter, is now herself a hunted woman. Who put the $500,000 price on her head--a man or a monster? It's not just her own skin she needs to save; the rivalry between her werewolf boyfriend, Richard, and Marcus, the other alpha werewolf in his pack, has come to full boil. And there's always Jean-Claude, the vampire who's been waiting for just the right moment to slip inside Anita's head and heart. Don't assume anything, though--Hamilton's probably got a few more surprises in store.
Burnt Offerings
Burnt Offerings is the seventh in Laurell K. Hamilton's genre-straddling Anita Blake: Vampire Hunter series. Anita carries a gun and an attitude: "Questions are great, but only if you know the answers. If you ask questions and the answers surprise you, you look silly. Hard to be threatening when you look ill-informed."
As Burnt Offerings unfolds, Anita agrees to help track down a possible psychic firestarter. She's also policing the local werewolf pack, though she's split up with their alpha, Richard. Then Jean-Claude, the vampire Master of the City and her lover, needs her help to confront a visiting delegation of the vampires' ruling council. They wonder how he got the power to destroy a council member and believe him dangerous to the hierarchy.
This fast-paced, urban fantasy includes gore, hardboiled mystery and a romantic triangle. The vampires and werewolves are as three-dimensional as the human characters, allowing us to join Anita in wondering who the real monsters are and to understand how her increased personal involvement with them is alienating her from her human colleagues.
Blue Moon
Anita Blake makes a living raising the dead. She also executes rogue vampires and villains among the local were-folk. Marks bind her to Jean-Claude, the Master vampire of St. Louis and her lover, and to her ex-fiancé, a powerful werewolf who heads up the local pack. Anita shares some of their magic, and her own power over the dead keeps growing. But so does the body count and the situations that force Anita to bend or break her own rules.
In Blue Moon, Anita's ex Richard is jailed in Tennessee, accused of rape. When Anita arrives with a lawyer and an entourage of vampires and 'weres' supplied by Jean-Claude, it's clear that something is rotten in Myerton. The local cops are corrupt, and the trolls Richard was studying are threatened. But if she sticks around to investigate, the local Master vampire will attack her and her friends. The local werewolf clan isn't rushing to welcome her either, and her self-control is going to the, um, wolves.
Blue Moon is the eighth book in Hamilton's Anita Blake: Vampire Hunter series; newcomers should start with earlier books. The protagonists' development and their relationships to each other and to the large cast of continuing secondary characters are what make these books so compelling. Be warned--there's steamy sex and graphic violence here, though Anita does reflect on her moral position. But if dark urban fantasy featuring those who hunt the night appeals, pounce on this series.
Obsidian Butterfly
Anita Blake, the tough, sexy vampire executioner, zombie animator, and police consultant for preternatural crimes in St. Louis, hunts monsters in New Mexico in the ninth book of Laurell K. Hamilton's excellent series. Edward, Anita's mentor in slaying, asks Anita to return the favor that she has owed him since she killed a backup he brought in to protect her. He needs Anita's preternatural expertise as well as her firepower. Something is skinning and mutilating a few of its chosen victims, and dismembering others. Edward has no idea what creature could be responsible for such heinous crimes.
Summoning Anita has its downside for Edward, since it means letting her onto his turf. Anita is surprised to find that this normally aggressive man has a personal life, and shocked by his ability to be entirely different from the stone cold killer she's known. She also has problems with the cop in charge in Albuquerque, who believes her powers must be evil, and with the other backups Edward has brought in. Most of all, she has to deal with her own vulnerability--she's tried to shut down her ties to her vampire and werewolf lovers and go it alone, but it turns out to be harder than she thought.
Anita's usual supporting cast is missing, and she's taking time out from her complex love life, but there's plenty of bloody action, vampires, werewolves, and Aztec ritual. Plus a lot more about Edward. Fans will find this installment similar to the earlier books in the series, particularly The Laughing Corpse.
Cerulean Sins
Laurell K. Hamilton's legions of eager fans will be pleased to see Cerulean Sins, the eleventh novel in her Anita Blake, Vampire Hunter series, which is set on an alternate Earth where magic works and vampires and werewolves are real. When a sinister stranger tries to hire the magically potent Anita Blake to raise the dead, she finds herself embroiled in the search for a vicious, supernatural serial killer, and also in the clandestine international politics of the vampires. And as she becomes more deeply enmeshed in cruel plots and counterplots, her tangled personal life only becomes more demanding, more wrenching, and more erotically fraught.
With ten previous books in the Anita Blake series, Cerulean Sins is not the place to start. Though author Hamilton artfully reveals the backstory in small doses, the numerous returning characters and the complex history will overwhelm most newcomers (and even the most devoted fans may find that the backfilling slows the pace). Also, the characters frequently stand around talking and psychoanalyzing one another, which makes for static stretches unlikely to hold a new reader's attention. Newcomers should start with the first book, Guilty Pleasures. - By Cynthia Ward
Anita Blake is one the more fascinating fictional heroines since Scarlet O'Hara-and a hell of a lot more fun than most. Despite her satin lingerie, short skirts and high heels, she kicks both human and non-human bad-guy butt-hard. Having gained immense supernatural powers and become an important force in the vampiric and lycanthropic communities of St. Louis in the 10 previous books, Anita begins this fantastic dark adventure by raising the dead and ends it by tackling a murderous monster. In between, she wades (literally) into a bloody investigation of a preternatural serial killer and (metaphysically and physically) into dangerous vampire politics. šber-vampiress Belle Morte has sent her dreaded surrogate, Musette, to demand that Anita's paramour, Jean-Claude, Master Vampire of the City, return the vampire Asher to her-a fate worse than a stake through the heart. In order to save Asher, Anita must be both sexually and psychically creative. Anita and the vampires also need head werewolf Richard to help defeat Belle Morte's designs. But can Richard, who recently dumped Anita because she was more "monster" than human, be relied on? Meanwhile, cop Dolph Storr, who's gone violently anti-preternatural, won't let Anita (now a federal marshal) help stop a series of gruesome murders. If this all seems complicated, it's nothing compared to Anita's sex life. There's plenty of the hot stuff, but it's presented with a certain morality and definite hilarity. After unraveling ... some character and story line knots in previous bestseller Narcissus in Chains (2001), the author is back ... with the best Blake yet.
Copyright 2003 Reed Business Information, Inc.
Anne Rice
Ah, now onto Anne Rice's Vampire series. I haven't read it, yet, but I'm waiting for my orders to come in from Amazon. I have, however, seen both movies. Interview with a Vampire was good, or so I thought at the time, but Queen of the Damned is infinitely better. In my humble opinion at least.
Interview with a Vampire
The Book:
In the now-classic novel Interview with the Vampire, Anne Rice refreshed the archetypal vampire myth for a late-20th-century audience. The story is ostensibly a simple one: having suffered a tremendous personal loss, an 18th-century Louisiana plantation owner named Louis Pointe du Lac descends into an alcoholic stupor. At his emotional nadir, he is confronted by Lestat, a charismatic and powerful vampire who chooses Louis to be his fledgling. The two prey on innocents, give their "dark gift" to a young girl, and seek out others of their kind (notably the ancient vampire Armand) in Paris. But a summary of this story bypasses the central attractions of the novel. First and foremost, the method Rice chose to tell her tale--with Louis' first-person confession to a skeptical boy--transformed the vampire from a hideous predator into a highly sympathetic, seductive, and all-too-human figure. Second, by entering the experience of an immortal character, one raised with a deep Catholic faith, Rice was able to explore profound philosophical concerns--the nature of evil, the reality of death, and the limits of human perception--in ways not possible from the perspective of a more finite narrator.
While Rice has continued to investigate history, faith, and philosophy in subsequent Vampire novels (including The Vampire Lestat, The Queen of the Damned, The Tale of the Body Thief, Memnoch the Devil, and The Vampire Armand), Interview remains a treasured masterpiece. It is that rare work that blends a childlike fascination for the supernatural with a profound vision of the human condition. --Patrick O'Kelley
The Movie:
Sophira here, again. Our fair Lady Brair told me that the movie is nothing like the book and she exclaimed ferverently and frequently that she will never watch another Anne Rice based movie because she found the first movie so deplorable. We're still argueing about that. : )
When it was announced that Tom Cruise would play the vampire Lestat in this adaptation of Anne Rice's bestselling novel, even Rice chimed in with a highly publicized objection. The author wisely and justifiably recanted her negative opinion when she saw Cruise's excellent performance, which perceptively addresses the pain and chronic melancholy that plagues anyone cursed with immortal bloodlust. Brad Pitt and Kirsten Dunst are equally good at maintaining the dark and brooding tone of Rice's novel. And in this rare mainstream project for a major studio, director Neil Jordan compensates for a lumbering plot by honoring the literate, Romantic qualities of Rice's screenplay. Considered a disappointment while being embraced by Rice's loyal followers, the movie is too slow to be a satisfying thriller, but it is definitely one of the most lavish, intelligent horror films ever made. By Jeff Shannon
The Vampire Lestat
The Book:
After the spectacular debut of Interview with the Vampire in 1976, Anne Rice put aside her vampires to explore other literary interests--Italian castrati in Cry to Heaven and the Free People of Color in The Feast of All Saints. But Lestat, the mischievous creator of Louis in Interview, finally emerged to tell his own story in the 1985 sequel, The Vampire Lestat.
As with the first book in the series, the novel begins with a frame narrative. After over a half century underground, Lestat awakens in the 1980s to the cacophony of electronic sounds and images that characterizes the MTV generation. Particularly, he is captivated by a fledgling rock band named Satan's Night Out. Determined both to achieve international fame and end the centuries of self-imposed vampire silence, Lestat takes command of the band (now renamed "The Vampire Lestat") and pens his own autobiography. The remainder of the novel purports to be that autobiography: the vampire traces his mortal youth as the son of a marquis in pre-Revolutionary France, his initiation into vampirism at the hands of Magnus, and his quest for the ultimate origins of his undead species.
While very different from the first novel in the Vampire Chronicles, The Vampire Lestat has proved to be the foundation for a broader range of narratives than is possible from Louis's brooding, passive perspective. The character of Lestat is one of Rice's most complex and popular literary alter egos, and his Faustian strivings have a mythopoeic resonance that links the novel to a grand tradition of spiritual and supernatural fiction. --Patrick O'Kelley
Queen of the Damned
The Book:
Did you ever wonder where all those mischievous vampires roaming the globe in Anne Rice's Vampire Chronicles came from? In this, the third book in the series, we find out. That raucous rock-star vampire Lestat interrupts the 6,000-year slumber of the mama of all bloodsuckers, Akasha, Queen of the Damned.
Akasha was once the queen of the Nile (she has a bit in common with the Egyptian goddess Isis), and it's unwise to rile her now that she's had 60 centuries of practice being undead. She is so peeved about male violence that she might just have to kill most of them. And she has her eye on handsome Lestat with other ideas as well.
If you felt that the previous books in the series weren't gory and erotic enough, this one should quench your thirst (though it may cause you to omit organ meats from your diet). It also boasts God's plenty of absorbing lore that enriches the tale that went before, including the back-story of the boy in Interview with the Vampire and the ancient fellowship of the Talamasca, which snoops on paranormal phenomena. Mostly, the book spins the complex yarn of Akasha's eerie, brooding brood and her nemeses, the terrifying sisters Maharet and Mekare. In one sense, Queen of the Damned is the ultimate multigenerational saga. --Tim Appelo
The Movie:
Sophira here, for the third time. I bet you're thinking, girl shut up!ut this is important. The movie is nothing like the book. Only the names and overall plot are the same. Sorry!
After years of slumber, the legendary vampire has awakened and found acceptance in a tattooed, pierced and black-clad world. He's a rock star. And his awesome punk-chic sound has echoed around the globe...and stirred to life the fearsome Mother of All Vampires. Based on "The Vampire Chronicles" by Anne Rice, whose work previously came to the screen in "Interview with the Vampire."
The Body Thief
It's been said that Vladimir Nabokov's best novels are the ones he wrote after starting a failed novel. Anne Rice wrote The Body Thief, the fourth thrilling episode of her Vampire Chronicles, right after she spent a long time poring over that most romantic of horror novels, Mary Shelley's Frankenstein, to research a novel Rice abandoned about an artificial man. Perhaps as a result of Shelley's influence, The Body Thief is far more psychologically penetrating than its predecessors, with a laser-like focus on a single tormented soul. Oh, we meet some wild new characters, and Rice's toothsome vampire-hero Lestat zooms around the globe--as is his magical habit--from Miami to the Gobi desert, but he's in such despair that he trades his immortal body to a con man named Raglan James, who offers him in return two days of strictly mortal bliss.
Lestat has always had a faulty impulse-control valve, and it gets him in truly intriguing trouble this time. On the plus side, he gets to experience romance with a nun and orange juice--"thick like blood, but full of sweetness." But Lestat is horrified by an uncommon cold, and his toilet training proves traumatic. He's also got to catch Raglan James, who has no intention of giving up his dishonestly acquired new superpowered body. Lestat enlists the help of David Talbot, a mortal in the Talamasca, a secret society of immortal watchers described in Queen of the Damned.
The swapping of bodies and supernatural stories is choice, and there's even a moral: never give a bloodsucker an even break. --Tim Appelo
Memnoch the Devil
The fifth volume of Rice's Vampire Chronicles is one of her most controversial books. The tale begins in New York, where Lestat, the coolest of Rice's vampire heroes, is stalking a big-time cocaine dealer and religious-art smuggler--this guy should get it in the neck. Lestat is also growing fascinated with the dealer's lovely daughter, a TV evangelist who's not a fraud.
Lestat is also being stalked himself, by some shadowy guy who turns out to be Memnoch, the devil, who spirits him away. From here on, the book might have been called Interview with the Devil (by a Vampire). It's a rousing story interrupted by a long debate with the devil. Memnoch isn't the devil as ordinarily conceived: he got the boot from God because he objected to God's heartless indifference to human misery. Memnoch takes Lestat to heaven, hell, and throughout history.
Some readers are appalled by the scene in which Lestat sinks his fangs into the throat of Christ on the cross, but the scene is not a mere shock tactic: Jesus is giving Lestat a bloody taste in order to win him over to God's side, and Rice is dead serious about the battle for his soul. Rice is really doing what she did as a devout young Catholic girl asked to imagine in detail what Christ's suffering felt like--it's just that her imagination ran away with her.
If you like straight-ahead fanged adventure, you'll likely enjoy the first third; if you like Job-like arguments with God, you'll prefer the Memnoch chapters. --Tim Appelo
The Vampire Armand
In The Vampire Armand, Anne Rice returns to her indomitable Vampire Chronicles and recaptures the gothic horror and delight she first explored in her classic tale Interview with the Vampire (in which Armand, played by Antonio Banderas in the film version, made his first appearance as director of the Théâtre des Vampires).
The story begins in the aftermath of Memnoch the Devil. Vampires from all over the globe have gathered around Lestat, who lies prostrate on the floor of a cathedral. Dead? In a coma? As Armand reflects on Lestat's condition, he is drawn by David Talbot to tell the story of his own life. The narrative abruptly rushes back to 15th-century Constantinople, and the Armand of the present recounts the fragmented memories of his childhood abduction from Kiev. Eventually, he is sold to a Venetian artist (and vampire), Marius. Rice revels in descriptions of the sensual relationship between the young and still-mortal Armand and his vampiric mentor. But when Armand is finally transformed, the tone of the book dramatically shifts. Raw and sexually explicit scenes are displaced by Armand's introspective quest for a union of his Russian Orthodox childhood, his hedonistic life with Marius, and his newly acquired immortality. These final chapters remind one of the archetypal significance of Rice's vampires; at their best, Armand, Lestat, and Marius offer keen insights into the most human of concerns.
The Vampire Armand is richly intertextual; readers will relish the retelling of critical events from Lestat and Louis's narratives. Nevertheless, the novel is very much Armand's own tragic tale. Rice deftly integrates the necessary back-story for new readers to enter her epic series, and the introduction of a few new voices adds a fresh perspective--and the promise of provocative future installments. --Patrick O'Kelley
Blood and Gold
Time heals all wounds, unless, of course, you're a vampire. Cuts may heal, burns vanish, limbs reattach, but for the "blood god," the wounds of the heart sometimes stay open and raw for centuries. So it is for Marius, Anne Rice's oft-mentioned and beloved scholar. We've heard parts of his tale in past volumes of the Vampire Chronicles, but never so completely and never from his own lips. In Blood and Gold, Rice mostly (but not entirely) avoids the danger of treading worn ground as she fills out the life and character of Marius the Lonely, the Disenchanted, the Heartsick--a 2,000-year-old vampire "with all the conviction of a mortal man."
Plucked from his beloved Rome in the prime of his life and forced into solitude as keeper of the vampire queen and king, Marius has never forgiven the injustice of his mortal death. Thousands of years later, he still seethes over his losses. Immortality for Marius is both a blessing and a curse--he bears "witness to all splendid and beautiful things human," yet is unable to engage in relationships for fear of revealing his burden.
New readers to the Chronicles may wish for a more fleshed-out, less introspective hero, but Rice's legions of devoted fans will recognize Blood and Gold for what it is: a love song to Marius the Wanderer, whose story reveals the complexities and limitations of eternal existence. --Daphne Durham
The Anita Blake: Vampire Hunter book series, by Laurell K. Hamilton.
The Vampire Chronicles book series, by Anne Rice.
The Witches Chronicles book series, by Anne Rice.
These last two are stand alone books that are also by Anne Rice.
The Southern Vampire Series, by Charlaine Harris.
Vampire books, by Amelia Atwater-Rhodes.
Books by Christine Feehan.
There are way too many to put on here, and I never read them in order so
I don't know what order they go in. I have three up on here, but
these are just to sample her work.
